Thursday, January 20, 2011

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La donna che non è morta abbastanza

Introduco il discorso Hitchcock , ossia la zona operativa della mia tesi, con una piccola esperienza personale. Una sorta di epifania, non la sola, fortunatamente, che ha legato profondamente il mio vissuto con le immagini di una splendida pellicola: Vertigo o La donna che visse due volte .

Questo è il primo dei post “personali” This new editorial direction de Eye Digger, you may want to disassociate the image of a heartless critic who likes to dismantle the work of others (when it deserves it) complaining or immaturity of the viewer current cinema (it amuses me that people rejoice at the box office for the success of Checco Zalone compared to cine-cake, I enjoy it much).

Anyone who knows me knows that my favorite sport, leisure sofa and over the proceedings at a competitive level, you complain of my emotional situation. Today, this ancient and noble employment, it remains only a faded memory. Yet there was a time in which to reflect day and night on this issue, without ever being able to divert my thoughts or sleep. It was an obsession, I wanted to find the source of my dissatisfaction and, perhaps, a possible solution to this problem.
One day I had the revelation. Quoting from the pages of notes from a quadernino:

"I can love only if against the"

At first I did not take too seriously this picture because, perhaps, had not been focusing everything. With time, however, knowing other people and living life everyday, I have more and more convinced of my particular trend. Focusing
per tanti mesi sulle pellicole del maestro della suspence ed in particolare, vedendo e rivedendo il film Vertigo sotto “consiglio” di Slavoj Žižek, ho finalmente capito quale fosse il mio problema. L'ho riconosciuto alla perfezione in una delle molteplici inquadrature soggettive che caratterizzano questo, come tanti altri, film di Hitchcock . In particolare questi due fotogrammi:




Io, così come il protagonista del film Scottie , tendo a riempire l'oggetto del mio desiderio di una serie di aspettative, sogni, speranze ed illusioni that are not part of the constitution of that person. I am my own projection, my ghost. Scottie will never love any Judy if not masquerading as Madeleine, the woman he loved and lost as you seem to look like so much.
Love, like the rest of human passions, is a dangerous game no doubt. One wrong move could affect the whole course of the game.

cinema, especially this film, may be our staff psychologist, available 24 / 7. A good film, as well as a good friend, can advise you on what to do and help you understand the existence.

Do not be afraid to look, and let look.

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