Beh... mh... si .
Speravo di non cadere nel clichè degli Academy Awards ma, ammettiamolo, sono un big deal per tutti gli appassionati di cinema e non. Nonostante sia un premio che non ha assolutamente nulla a che vedere con la qualità delle proposte cinematografiche della stagione, dato che non vi è una giuria di competenza esterna (come accade nei festival) ma sono gli stessi membri dell'Academy a decidere i film da premiare. Tom Hanks, ti voglio bene, ma è una questione di business, come sempre.
Però è inutile lamentarsi, bisogna accettare che questa è l'altra faccia del cinema, as we know, besides being a beautiful art is also a money machine very, very productive.
This year, like last year, nominated for Best Movie there are a lot of titles. And, just as it did last year, my favorite film is the most unlucky of all.
After 12 months I still consider District 9 [Article about ] as one of the best science fiction films (and counting) produced in recent times, I hope to keep my opinion for this 127 Hours the award-winning director Danny Boyle .
[The post was written before my trip Milan, that is, before the disappointing Oscar night where everything went according to plan. 127 Hours did not win anything, but we'll talk about the same.]
The plot is simple, too simple. In terms of action
diegetic, the film consists of a series of choices that the protagonist makes his first accident in the canyon, are vaguely hinted at with the shots of detail on some items (knife, voicemail, etc.). el ' same accident as a result of these wrong decisions. Basta.
What might threaten to flatten a film well shot and damn well costrutia is his strong point, because it allows the director to maintain a static diegetic for three quarters of the film (the hero with his hand stuck between the rocks, physically, it is unable to move) allowing more room for movement between the time lived the protagonist himself.
Who is accustomed to the unconventional film, like myself, and who has stuck to the TV screen for months and months following series unconventional Twin Peaks or Lost , might think that the whole event of the film is only a fiction. A concoction of the mind of the protagonist, a tricksy to any Inception [Article about ]. Not so.
The event supporting the film defines the category of event in existentialist philosophy, especially Heidegger, so the chaos of the accident is what really defines the course of our existence. The fall in the canyon is inevitable, but inevitable part of life, and this is the fun part.
The fall in the dark depths of the earth is, in parallel, the fall of the protagonist in the darkness of his own conscience. Exploring areas that prefers to keep hidden and which are outlined at the beginning of his film with a series of blunders (to put it to Freud). The cold rocks of the cave reminds us of 127 Hours the rock island of adventure Michelangelo Antonioni, where the enigmatic Anna disappears without a trace. Just as the protagonists of the Italian masterpiece, the bare rock is a place beyond time and beyond the physical, where the consciousness is free to wander and reflect on itself.
This year, like last year, nominated for Best Movie there are a lot of titles. And, just as it did last year, my favorite film is the most unlucky of all.
After 12 months I still consider District 9 [Article about ] as one of the best science fiction films (and counting) produced in recent times, I hope to keep my opinion for this 127 Hours the award-winning director Danny Boyle .
[The post was written before my trip Milan, that is, before the disappointing Oscar night where everything went according to plan. 127 Hours did not win anything, but we'll talk about the same.]
The plot is simple, too simple. In terms of action
diegetic, the film consists of a series of choices that the protagonist makes his first accident in the canyon, are vaguely hinted at with the shots of detail on some items (knife, voicemail, etc.). el ' same accident as a result of these wrong decisions. Basta.
What might threaten to flatten a film well shot and damn well costrutia is his strong point, because it allows the director to maintain a static diegetic for three quarters of the film (the hero with his hand stuck between the rocks, physically, it is unable to move) allowing more room for movement between the time lived the protagonist himself.
Who is accustomed to the unconventional film, like myself, and who has stuck to the TV screen for months and months following series unconventional Twin Peaks or Lost , might think that the whole event of the film is only a fiction. A concoction of the mind of the protagonist, a tricksy to any Inception [Article about ]. Not so.
The fall in the dark depths of the earth is, in parallel, the fall of the protagonist in the darkness of his own conscience. Exploring areas that prefers to keep hidden and which are outlined at the beginning of his film with a series of blunders (to put it to Freud). The cold rocks of the cave reminds us of 127 Hours the rock island of adventure Michelangelo Antonioni, where the enigmatic Anna disappears without a trace. Just as the protagonists of the Italian masterpiece, the bare rock is a place beyond time and beyond the physical, where the consciousness is free to wander and reflect on itself.
The inability to communicate is strong theme in both films. In Antonioni's film the characters seem to wander about parallel worlds, as occurs during the course of events moving continuously, while Boyle's film is the protagonist who can not communicate with itself.
127 hours standby are many. According to a filmmaker, what could be the best way to reflect on the events (inaspettatti or less) that affect us day after day? Obviously, the film itself.
The great Danny Boyle does not disappoint this time either, and offers a good reflection metacinematografica . The protagonist, in fact, uses a small video camera as a sort of confessional, or to continue the discussion of Metz, an expert on Lacanian psychoanalysis, uses the camera like a mirror to reflect and think. Leave your memories in his last " memory", this time digital camera, Giuga to important conclusions to reassess its actions.
127 hours standby are many. According to a filmmaker, what could be the best way to reflect on the events (inaspettatti or less) that affect us day after day? Obviously, the film itself.
The great Danny Boyle does not disappoint this time either, and offers a good reflection metacinematografica . The protagonist, in fact, uses a small video camera as a sort of confessional, or to continue the discussion of Metz, an expert on Lacanian psychoanalysis, uses the camera like a mirror to reflect and think. Leave your memories in his last " memory", this time digital camera, Giuga to important conclusions to reassess its actions.
"Maybe this rock was part of my destiny." These are the words of Aron after a series of reflections in front of the room.
He understood the meaning of his existence, just after a tragic event as he put it at risk and threatened to put an end to it.
The truth is the reflection, the reflection comes from the event and the synthesis of both these elements is the essence of this magnificent film. Not only tells of a reflection or just an event, but that both generate when they meet halfway and let the protagonist and the viewer time to get involved with them. The film has a lot of monologues, and it is That's what makes the interpretation of James Franco so interesting, his thinking aloud directing gaze directly into the car to touch us with his conclusions and say goodbye for the last time.
He understood the meaning of his existence, just after a tragic event as he put it at risk and threatened to put an end to it.
The truth is the reflection, the reflection comes from the event and the synthesis of both these elements is the essence of this magnificent film. Not only tells of a reflection or just an event, but that both generate when they meet halfway and let the protagonist and the viewer time to get involved with them. The film has a lot of monologues, and it is That's what makes the interpretation of James Franco so interesting, his thinking aloud directing gaze directly into the car to touch us with his conclusions and say goodbye for the last time.
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